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| ERIKA ROTHENBERG: |
BIOGRAPHY | |
| Born, New York. | |
| Education: University of Chicago; School of Visual Arts, New York | |
| Lives in Los Angeles. | |
ONE ARTIST EXHIBITIONS | |
| 1986 | P.P.O.W., New York. |
| 1987 | W.P.A., Washington D.C. |
| San Francisco Airport, San Francisco. | |
| P.P.O.W., New York. | |
| 1988 | Rosamund Felsen Gallery, Los Angeles. |
| 1989 | "New California Artist XV," Newport Harbor Art Museum, Newport Beach, California (catalogue). |
| Rosamund Felsen Gallery, Los Angeles. | |
| "Have You Attacked America Today?" New Museum, New York. | |
| 1990 | P.P.O.W., New York. |
| 1991 | "Bathroom doors, greeting cards, trophies...and a test," Rosamund Felsen Gallery, Los Angeles. |
| Zolla/Lieberman Gallery, Chicago. | |
| 1992 | Museum of Modern Art, New York. |
| P.P.O.W., New York. | |
| Galerie Hubert Winter, Vienna. | |
| 1993 | Gallery 210, University of Missouri, St. Louis. |
| "Suicide Notes," in collaboration with Tracy Tynan, Rosamund Felsen Gallery, Los Angeles. | |
| "Suicide Notes," in collaboration with Tracy Tynan, PPOW, New York. | |
| Jewish Museum of San Francisco. | |
| 1994 | "Suicide Notes," in collaboration with Tracy Tynan, Janus Avivson Gallery, London, England. |
| "Human Interest: New Work," Zolla/Lieberman Gallery, Chicago. | |
| Laguna Art Museum, Costa Mesa, California. | |
| 1995 | "Sex Lives of Animals" and other new work, Rosamund Felsen Gallery, Santa Monica. |
| Centre for Contemporary Art, Glasgow, Scotland. | |
| 1996 | "Sex Lives of Animals," PPOW, New York. |
| "Smoke Gets In Your Eyes," New work plus collaborations with Tracy Tynan, Rosamund Felsen Gallery, Santa Monica. | |
| 1997 | Galerie Praz/Delavallade, Paris, France. |
| 1999 | "Faster, Pussycat! Kill! Kill!" a collaboration with Tracy Tynan, PPOW, New York. |
| 2000 | New Work, including "Faster, Pussycat! Kill! Kill!" a collaboration with Tracy Tynan, Rosamund Felsen Gallery, Santa Monica. |
| 2001 | "Everyone Who Sat On This Chair" and other new work, Zolla/Lieberman Gallery Inc., Chicago. |
| 2005 | Rosamund Felsen Gallery, Santa Monica, CA. |
GROUP EXHIBITIONS | |
| 1979 | Books & Co., New York. |
| "Artists Books, USA," travelling exhibition, curated by Martha Wilson. | |
| 1980 | White Columns, New York. |
| Art Something Gallery, Amsterdam. | |
| 1981 | "Not Just for Laughs...The Art of Subversion," The New Museum, New York, curated by Marcia Tucker. |
| "Selections," Artists Space, New York, curated by Linda Shearer. | |
| "55 Mercer Invitational," New York. | |
| "Words and Images," Philadelphia Art Alliance, Pittsburgh Center for the Arts, Southern Alleghenies Museum of Art, Loretto, Pennsylvania. | |
| 1982 | "The Atomic Salon," Ronald Feldman Fine Arts, New York. |
| Heller Gallery, University of California, Berkeley. | |
| "Decision by Arms," Just Above Midtown, New York. | |
| "The Future is Ours," The Arsenal, New York. | |
| "Radical Humor," Loeb Student Center, New York. | |
| 1983 | "1984...A Preview," Ronald Feldman Fine Arts, New York. |
| "Language, Drama, Source and Vision," The New Museum, New York. | |
| "Artists' Use of Language," Franklin Furnace, New York, curated by Barbara Kruger. | |
| "Subculture," Subway Cars, New York. | |
| "Contra Media," The Alternative Museum, New York. | |
| Group exhibition, Het Appollohuis, Eindhoven, Holland. | |
| 1984 | "Freedom of Expression National Monument," Art on the Beach, New York, and Westchester Community College, Valhalla, New York. |
| "Artists' Weapons," Ted Greenwald Gallery, New York, curated by Donald Kuspit and Ted Greenwald. | |
| "Public Relations," Franklin Furnace, New York. | |
| "Objectivity," Hallwalls, Buffalo, New York. | |
| Window installation, Printed Matter, New York, window, curated by Lucy Lippard. | |
| "Women and the Media," Allen Memorial Art Museum, Oberlin, OH, curated by William Olander. | |
| "In the Shadow of the Bomb," Mount Holyoke College Art Museum, South Hadley, Massachusetts. | |
| "Telling Tales," University of Massachusetts Art Gallery, Amherst. | |
| "The Power to Provoke," S.U.N.Y., Old Westbury, New York. | |
| "Art Against Apartheid," Bronx Museum of the Arts, New York. | |
| Y.M.C.A., Bus Station and Welfare Office, Seattle. | |
| "Artists Call," Judson Church, New York. | |
| 1985 | "Disinformation," The Alternative Museum, New York. |
| "Guerrilla Girls," Palladium, New York. | |
| "Art and Advertising," Center of Contemporary Art, Seattle. | |
| "Not Just Another Pretty Picture," P.S. 122, New York. | |
| "Feminists and Misogynists," Avenue B Gallery, New York. | |
| "Private Gone Public," SoHo 20, New York, curated by Ellen Lubell. | |
| 1986 | "Outside LACE," Los Angeles Contemporary Exhibitions, Los Angeles. |
| "Reinventing Politics," Telluride Institute, Colorado. | |
| P.P.O.W., New York. | |
| "Oppression Expressions," Contemporary Arts Center, New Orleans. | |
| "Products and Promotion," Camera Work, San Francisco. | |
| "Corporate Lobby Show," Mokotoff Gallery, New York. | |
| "Mass," The New Museum, New York, curated by Group Material. | |
| "Television and the Artist's Imagination," Home Box Office Building, New York. | |
| "Telling Tales," Allegheny College, Meadville, Pennsylvania. | |
| Real Art Ways, Hartford. | |
| "Feminists and Misogynists," Center on Contemporary Art, Seattle. | |
| Rosemont College, Pennsylvania. | |
| "Three Artists in Offset," UCLA Library, Los Angeles. | |
| 1987 | "Press /Art," University Art Museum, Long Beach, California. |
| "Connections," Museum of Contemporary Hispanic Art, New York. | |
| "Madness in America," Elizabeth Galasso, New York. | |
| 1988 | "Committed to Print," Museum of Modern Art, New York. |
| "Products and Promotion," Franklin Furnace, New York. | |
| "Art and Law," travelling exhibition. | |
| "Home Show," Santa Barbara Contemporary Arts Forum, Santa Barbara, California. (catalogue). | |
| "AGIT/POP," Otis Art Institute, Los Angeles. | |
| "New Works on Paper," Rosamund Felsen Gallery, Los Angeles. | |
| "Democracy," Dia Foundation, New York. | |
| "Fresh from New York," Artspace, Auckland, New Zealand. | |
| "Signs of the Times," Bread and Rose Cultural Center, New York. | |
| 1989 | "Art Against AIDS," Billboard project, San Francisco. |
| "Media Talk," Security Pacific Gallery, Costa Mesa, California. | |
| 1990 | "Past & Present - Selected Works by Gallery Artists," Rosamund Felsen Gallery, Los Angeles. |
| "Selections from PPOW," Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina. | |
| "Word as Image: 1960-1990," Milwaukee Art Museum, Milwaukee; traveled in 1991 to: Oklahoma City Art Museum, Oklahoma City; Contemporary Arts Museum, Houston. | |
| "Taking Liberties," The Woman's Building, Los Angeles. | |
| "AIDS Timeline," A Group Material Project, San Francisco Museum of Modern Art, San Francisco. | |
| "Food, from Pleasure to Politics," Goddard Riverside Community Center, New York. | |
| 1991 | "1991 Whitney Biennial,"AIDS Timeline, A Group Material Project, Whitney Museum of American Art, New York. |
| "No Laughing Matter," University Gallery, University of North Texas, Denton. Travels to Sheldon Memorial Art Gallery, Lincoln, Nebraska, and University Art Gallery, Tufts University, Medford, Massachusetts, through 1993. | |
| "Art of Advocacy," Aldrich Museum, Ridgefield, Connecticut. | |
| "To Wit," Rosa Esman Gallery, New York. | |
| "Quick Coagulation Forms The August Corpse," Rosamund Felsen Gallery, Los Angeles. | |
| "Addictions," Contemporary Arts Forum, Santa Barbara, CA (catalogue). | |
| "Artists of Conscience: 16 Years of Social and Political Commentary," The Alternative Museum, New York. | |
| 1992 | Documenta IX, Museum Fridericianum, Kassel, Germany. |
| "Empowering The Viewer: Art, Politics and The Community," Temple Gallery, Temple University, Philadelphia. | |
| "Rosamund Felsen Clinic & Recovery Center," curated by Ralph Rugoff, Rosamund Felsen Gallery, Los Angeles. | |
| "Breaking Barriers: Revisualizing the Urban Landscape," Santa Monica Museum, Santa Monica. | |
| "Good-bye to Apple Pie: Contemporary Artists View the Family in Crisis," Decordova Museum and Sculpture Park, Lincoln, Massachusetts. | |
| "Getting to kNOw You: Sexual Insurrection and Resistance," curated by Christof Tannert and Dean McNeil, Kunstlerhaus Bethanien, Berlin. | |
| "Vote," Terry Dintenfass, New York. | |
| Group exhibition, Zolla/Lieberman, Chicago. | |
| Kunstlerhaus Bethanlen, Berlin, Germany; traveled to Liepzig, Germany. | |
| 1993 | "L.A. STORIES," Jack Rutberg Fine Arts, Los Angeles. |
| "the elegant, irreverent & obsessive: DRAWING IN SOUTHERN CALIFORNIA," California State University, Fullerton; Dorothy Goldeen Gallery, Santa Monica. | |
| "FUSION '93," The Pauline Hirsh Gallery, Jewish Federation Council, Los Angeles. | |
| "Disorderly Conduct," PPOW, New York. | |
| "The Stationery Store," Renee Fotouhi Fine Art, East Hampton, New York. | |
| "Money," Nancy Drysdale Gallery, Washington, D.C. | |
| "Multiplicities," Bobbie Greenfield, Los Angeles. | |
| "The Exquisite Corpse," The Drawing Center, New York. | |
| "Uber-Leben," Bonner Kunstverein, Bonn, Germany. | |
| 1994 | "Bad Girls East," organized by Marcia Tucker, The New Museum of Contemporary Art, New York. |
| "Bad Girls West, organized by Marcia Tanner, Wight Art Gallery, UCLA,Los Angeles. | |
| "Old Glory: The American Flag in Contemporary Art," Cleveland Center for Contemporary Art, Cleveland; traveled to Houston Museum of Contemporary Art, Phoenix Museum of Art 1995-96. | |
| "Can You Always Believe Your Eyes?" de Beyerd, Rotterdam, Holland. | |
| Group exhibition, Zolla/Lieberman Gallery, Chicago. | |
| "Disorderly Conduct," Hobart and William Smith College, Geneva, New York. | |
| "Three Curators, Three Visions," Sonnabend Gallery, New York. | |
| "Red Windows," Barney's, New York. | |
| 1995 | "From L.A. With Love," Galerie Praz-Delavallade, Paris. |
| "A Glimpse of the Norton Collection: As Revealed by Kim Dingle," Santa Monica Museum, Santa Monica; travelled to SITE, Santa Fe, NM. | |
| "Re-inventing the Emblem: Contemporary Artists Recreate a Renaissance Idea," Yale University, New Haven, Connecticut. | |
| "Oppose Any Authority," Janus Avivson Gallery, London, England. | |
| Group exhibition, Zolla/Lieberman Gallery, Chicago. | |
| "Temporarily Possessed," The New Museum, New York. | |
| 1996 | "Cultural Economies: Histories from the Alternative Arts Movement," The Drawing Center, New York. |
| Group Exhibition, Zolla/Lieberman Gallery, Chicago. | |
| "Sex in America," Galerie Im, Munich, Germany. | |
| "Watercolors," PPOW, New York. | |
| New Building Inaugural Exhibition, Museum of Contemporary Art,Chicago. | |
| "Private spaces, Public rooms," Freewaves Video Festival, Museum of Contemporary Art, Los Angeles. | |
| "Blessings & Beginnings," The Skirball Cultural Center, Los Angeles. | |
| 1997 | "The End of the Century: Prints since 1970 from the Permanent Collection," Los Angeles County Museum of Art. |
| "20/20: CAF looks forward and back," Santa Barbara Contmporary Arts Forum, Santa Barbara, California. | |
| "Auto-portrait," Exit Art, New York. | |
| "Wit, Whimsy and Humor," Castle Gallery, College of New Rochelle, New Rochelle, New York. | |
| 1998 | "Taboo, Repression and Revolt," Gallery St. Etienne, New York. |
| "5729-5756: The Jewish Museum List Graphic Commission," The Jewish Museum, New York. | |
| "The Bean Show," curated by Marc Pally and Rhonda Saboff, Dirt Gallery, Hollywood, California. | |
| Group show, Zolla/Lieberman Gallery, Chicago. | |
| "Draw, Stranger, Draw," Plug In, Winnipeg, Manitoba. | |
| "Original Accounts of the Lone Woman of San Marcos Island," Side Street Projects, Los Angeles. | |
| "Life Lessons: How Art Can Change Your Life: The Judy and Stuart Spence Collection," Laguna Art Museum, Laguna Beach, California. | |
| "Bioethics: Thresholds of Corporal Completeness," Side Street Projects, Santa Monica. | |
| "Art at Michael's," Michael's Restaurant, Santa Monica. | |
| Group show, Susan Inglett Gallery, New York. | |
| 1999 | "Billboard," MassMOCA, Massachusetts. |
| Group show, Zolla/Lieberman Gallery, Chicago. | |
| Selections from the Permanent Collection, Los Angeles County Museum of Art. | |
| 2000 | "Made in California:NOW," LACMALab, Los Angeles County Museum of Art, Los Angeles. |
| 2001 | "Recent Acquisitions featuring the Norton Gift," Berkeley Art Museum, UC Berkeley, California. |
| "Lighten Up: Art with a Sense of Humor,"DeCordova Museum, Lincoln, MA | |
| Group Show, Zolla/Lieberman, Chicago | |
| "Artist Writing Reading Room, Side Street Projects, LA | |
| "Amusement" Carrie Secrist Gallery, Chicago | |
| "Beverly Hills Collects," Beverly Hills Municipal Gallery, Beverly Hills, CA | |
| 2002 | "Show: the Flag," Armory Center for the Arts, Pasadena |
| Selections from the Permanent Collection, Los Angeles County Museum of Art, Los Angeles | |
| 2003 | “American Dreams,” Ronald Feldman Gallery, NY |
| “Whiteness: A Wayward Construct,” Laguna Art Museum, Laguna Beach, CA | |
| Zolla/Lieberman, Chicago | |
| “Me, We,” Art In General, New York | |
| 2004 | “Artists Interrogate: Politics and War.” Milwaukee Art Museum, Milwaukee |
| “A Sharp Eye: An Art Dealer’s 40 year Journey,” Evanston Art Center, Evanston IL | |
| “100 Artists See Satan,” Fullerton Art Museum and traveling | |
| 2005 | “Situation Comedy,” MCA, Chicago and traveling |
SPECIAL PROJECTS | |
| Artists Advisory Board, The New Museum, NY. | |
| Artist-In-Residence, WPLG/TV Miami, FL, 1985; sponsored by Post-Newsweek, TV Stations and Washington Project for the Arts, Washington, D.C. | |
| 1999 | Board of Trustees, L.A.C.E., Los Angeles 1994-9 |
ACADEMIC POSITIONS | |
| Pratt Institute, New York, NY. | |
| School of Visual Arts, New York, NY. | |
| Carleton College, Northfield, MN. | |
| Camera Work, San Francisco, CA. | |
| Washington Project for the Arts, Washington, D.C. | |
| San Francisco Art Institute, San Francisco, CA. | |
| University of California, Santa Barbara, CA. | |
| University of Southern California, Los Angeles, CA. | |
| Santa Barbara Contemporary Arts Forum, Santa Barbara, CA. | |
| Museum of Modern Art, New York, NY. | |
| University of Missouri, St. Louis. | |
| New Museum of Contemporary Art, New York, NY.. | |
| Akademie Der Bildenden Kunste, Vienna. | |
| Glasgow School of Art, Glasgow, Scotland. | |
| Phoenix Art Museum, Phoenix, AZ. | |
| Armory Center for the Arts, Pasadena, CA. | |
| Sci-Arc, Los Angeles, CA. | |
| Skirball Cultural Center, Los Angeles | |
| Santa Monica Museum of Art, Santa Monica, CA | |
| Notre Dame University, South Bend, IN | |
| 1987 | California Institute of the Arts, Valencia, Visiting Artist 1987. |
| 1989-91 | California Institute of the Arts, Valencia, Visiting Artist 1989-91. |
| 1995 | University of California, Los Angeles, Visiting Assistant Professor 1995. |
| 1996 | Otis College of Art and Design, Los Angeles, Graduate Program Faculty, 1996. |
| 1997 | University of California, Los Angeles, Visiting Assistant Professor 1997. |
AWARDS, HONORS | |
| 1990 | Art Matters Project Grant 1990 |
| Norton Family Foundation Grant for LA Festival Billboard 1990 | |
| 1993 | Getty Center Artists's Fellowship 1993 |
COMMISSIONS | |
| 1984 | Sculpture for Creative Time's "Art on the Beach," New York, 1984:"Freedom of Expression National Monument," with Laurie Hawkinson, architect and John Malpede, performance artist. |
| 1989 | Billboard for Art Against Aids, San Francisco and Washington, D.C., 1989: "Teenagers Don't Die From Aids." |
| 1990 | Project for the Los Angeles Festival, 1990: Billboard: "There Are Still Traditional Families" Van Nuys Boulevard north of Hatteras, Los Angeles, CA. |
| Project for the Los Angeles Festival, 1990: Window Installation: "Have You Attacked America Today?," Soap Plant, Los Angeles, CA. | |
| 1991-95 | Los Angeles County Transportation Commission, Lakewood Boulevard Green Line Station, permanent installation, 1991-95. |
| 1992 | Billboard for Hartford, CT and Philadelphia, PA, 1992: "There are Still Families With..." |
| 1994-97 | Los Angeles Public Library Robertson Branch Commission "Under the Covers," 1994-97. |
| 1999-2001 | Hollywood & Highland, Los Angeles, permanent public art work, "The Road to Hollywood," 1999-2001. |
| 2004 | "Freedom of Expression National Monument", a collaboration with Laurie Hawkinson, and John Malpede sponsored by Creative Time and Lower Manhattan Cultural Council, Foley Square, Lower Manhattan August 17-November 13, 2004 |
| 2006 | Friend Paper Company, Pasadena, permanent public art work, 2003 – 2006 (in progress) |
SELECTED COLLECTIONS | |
| Museum of Modern Art, New York. | |
| Museum of Contemporary Art, Los Angeles. | |
| Los Angeles County Museum of Art, Los Angeles. | |
| Art Institute of Chicago, Chicago. | |
| Museum of Contemporary Art, Chicago. | |
| Allen Museum, Oberlin College, Ohio. | |
| Milwaukee Art Museum, Milwaukee. | |
| Toledo Museum of Art, Toledo, Ohio. | |
| New Museum of Contemporary Art, New York. | |
| Van Abbemuseum, Ghent, Belgium. | |
| Musee d'Art Contemporain, Lausanne, Switzerland. | |
| The New School for Social Research, New York. | |
| Weatherspoon Gallery, University of North Carolina, Greensboro, North Carolina. | |
| The New York Public Library, New York. | |
| Getty Center Library, Los Angeles. | |
| The Jewish Museum, San Francisco. | |
| UCLA Dickson Art Center, Los Angeles. | |
| University Art Museum, California State University Long Beach. | |
| Berkeley Art Museum, University of California, Berkeley. | |
| Oakland Museum of California | |
| University Art Museum, Santa Barbara. | |
| Museum of Contemporary Art, North Miami, Florida. | |
| Boise Art Museum, Boise, Idaho. | |
| Museum of Modern Art, New York. | |
| Museum of Contemporary Art, Los Angeles. | |
| Los Angeles County Museum of Art, Los Angeles. | |
| Art Institute of Chicago, Chicago. | |
| Museum of Contemporary Art, Chicago. | |
| Allen Museum, Oberlin College, Ohio. | |
| Milwaukee Art Museum, Milwaukee. | |
| Toledo Museum of Art, Toledo, Ohio. | |
| New Museum of Contemporary Art, New York. | |
| Van Abbemuseum, Ghent, Belgium. | |
| Musee d'Art Contemporain, Lausanne, Switzerland. | |
| The New School for Social Research, New York. | |
| Weatherspoon Gallery, University of North Carolina, Greensboro, North Carolina. | |
| The New York Public Library, New York. | |
| Getty Center Library, Los Angeles. | |
| The Jewish Museum, San Francisco. | |
| UCLA Dickson Art Center, Los Angeles. | |
| University Art Museum, California State University Long Beach. | |
| Berkeley Art Museum, University of California, Berkeley. | |
| Oakland Museum of California | |
| University Art Museum, Santa Barbara. | |
| Museum of Contemporary Art, North Miami, Florida. | |
| Boise Art Museum, Boise, Idaho. | |
| Berkeley Art Museum, University of California | |
BIBLIOGRAPHY | |
| Gibbs, Michael | Review, Artzien Amsterdam, June 1980. |
| Rickey, Carrie | Art Pick, The Village Voice, August 27, 1980. |
| Ed | Benzene, Vol. I, No. 3, 1981. |
| Ed | Reproduction, The Village Voice, January 26, 1981. |
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| "Bishop Attacks Suicide Note Exhibition," The Sunday Telegraph, London, January 22, 1995 | |
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| Walker, Maria, review, Santa Barbara News-Press, March 8, 1997 | |
| Woodward, Josef | "Up the Coast," Los Angeles Times, April 1o, 1997. |
| Otto Susan | Review, Art in America, June 1997, pp 118-19. |
| Ed | "Erika Rothenberg," TimeOut New York, July 3, 1997. |
| Ollman, Leah | Review, Los Angeles Times, October 2, 1998. |
| Roth Charlene | Review, Artweek, November 1998. |
| Ise, Claudine | Review, Los Angeles Times, December 11, 1998. |
| Kozloff, Joyce | "Best Public Art: A Good Read," ArtNews, January 1999. |
| Yablonsky, Linda | "Faster, Pussycat! Kill! Kill!," review, Time Out NY, May 19, 1999, p 78. |
| Ed | "Ten Top LA Artists Create the City of the Future, Los Angeles Magazine, December 1999. |
| Camper, Fred | "Fest Times: Art Chicago's best bets," Chicago Reader, May 12, 2000. |
| Frank, Peter | "Art Picks of the Week," LA Weekly, May 19 - 25, 2000, p180. |
| Clayton Campbell | "Erika Rothenberg at Rosamund Felsen," Flash Art, Summer 2000, pp 114-116 (reproductsion) |
| Kuklenski, Valerie | "Into Good Hands," Los Angeles Daily News, September 21, 2000 |
| Knight, Christopher | "Happily, LACMALab leaves much to the imagination," Los Angeles Times, Calendar, September 15, 2000. |
| Kuklenski, Valerie | "Into Good Hands: LACMA's new kid-friendly exhibits encourage visitors to look and touch," Daily News, September 21, 2000, L.A. Life pp 12-14. |
| Boston Globe, February 1, 2001, "Lighten Up: Art with a Sense of Humor" | |
| KCRW Radio, "Art Talk," LA, September 19, 2001 | |
| Knight, Christopher | "The 'Road' Daringly Traveled," Los Angeles Times, November 30, 2001, p. F-27. |
| KCRW Radio, "The City Observed," Los Angeles, March 20, 2002 | |
| Life and Times, KCET, May 7, 2003 | |
| Roedger, David, “I Came for the Art” ArtPapers, May/June 2003 | |
| Ed, LA Weekly April 25, 2003 | |
| Wilette Jeanne S | M., Whiteness: A Wayward Construction” Art Scene, March, 2003. |
| Chang, Richard, “Shining a Light on White” Orange County Register, March 31, 2003 | |
| Muschamp, Herbert, "A Dubious Idea of ‘Freedom'," New York Times, August 31, 2003 | |
| Ebony, David, “Creative Time’s Free Speech Zone | ” Art in America, October, 2004 |
| “Freedom of Expression National Monument,” Sculpture Magazine, October, 2004 | |
| Hagber, Eva, “Shout It Out: Supersized Megaphone in Foley Square Encourages People to Speak Their Mind | ” The Architects Newspaper, September 21, 2004 |
| Segal, David, “NY Expressionism,” Washington Post, September 2, 2004 | |
| Gray, Katti “Stand Up, Speak Up, Speak Out,” Newsday, August 31, 2004 | |
| Zuckerman, Alisha, NPR Morning Edition, August 29, 2004 | |
| Gibson, Eric “The High Art of Highbrow Protest,” Wall Street Journal, August 27, 2004 | |
| Smith, Roberta, “Caution: Angry Artists at Work,” New York Times, August 27, 2004 | |
| AP, “Forget the GOP: Biggest NY Parties in the Streets,” Chicago Sun-Times, August 27, 2004 | |
| Brian Lehr, “Artful Protests,” Brian Lehr Show, WNYC, August 26, 2004 | |
| “Stars Come Out and Respond to GOP,” MSNBC, August 25, 2004 | |
| Time Out New York, August 25, 2004 | |
| Koolhaas, Jeroen, The New Yorker, August 23, 2004 | |
| Yah/Nay Show, WPS1, August 23, 2004 | |
| Dobnik, Vernea NYC Stages a Star-Studded Response to the GOP Convention (AP), Newsday, August 25, 2004, also appeared (with varied headlines) in: Toronto Star Aug 26, Globe and Mail Aug 26, Miami Herald Aug 25, Chicago Tribune, Aug 25 and many other newspapers | |
| WABC-TV News, Time Out Picks, August 25, 2004 | |
| Haithman, Diane, “The Show From Hell,” Los Angeles Times, July 25, 2004 | |
| Chang, Richard, “Good & Evil,” Orange County Register, July 18, 2004 | |
| Takhar, Amrieka, “Whiteness: A Wayward Construction,” Stretcher, www | stretcher.org, January 5, 2004. |
| Trainor, James, "Freedom of Expression National Monument,: Frieze Review, Nov/Dec | 2004, Issue 87, p.107 |
| Gottlieb, Shirle | “Erika Rothenberg, Preview,” Artscene, March 2005. |
| Ammirati, Domenick | “Freedom of Expression National Monument,” artUS 5/6, January/February 2005. |
| Freudenheim, Susan | “Casting a cold eye…,” Los Angeles Times, March 25, 2005, E2. |
| Frank, Peter | “Art Pick of the Week,” LA Weekly, April 8-14, 2005, p. 138 (reproduction). |
BIBLIOGRAPHY BY THE ARTIST | |
| Morally Superior Products: A New! Idea for Advertising, S/Z Press, New York, 1983 | |
| "Abandon the Good Life for a Life of Goodness," Artforum Artists Project, February 1989 | |
| "Have You Attacked America Today?," (photographic reproductions), Framework, Volume 3, 1990, pp | 63-65. |
| "Greetings," silkscreened box set of greeting cards, I | C. Editions, New York. 1993. |
| "Nobody need wait a single moment before starting to improve the world," silkscreen edition, 22 x 28", the Jewish Museum, New York, 1994 | |
| “Paradise Lost” 2-part Iris print, Muse X Editions, 1996. | |
| “Smoke Gets In Your Eyes” series of Iris prints, Muse X editions, 1996. | |
| “Monument to a Bear” outdoor sculpture, edition of 2, 2003. | |