ABRACADABRA

April 20 – May 19, 2012

Kim MacConnel

ABRACADABRA Installation view, 2012.

Kim MacConnel

21 Rabbit.  2011
Enamel on panel
46 x 46”


KM12 01

Kim MacConnel

33 Bunny.  2012
Enamel on panel
18 x 18”

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Kim MacConnel

37 Bunny.  2012
Enamel on panel
18 x 18”

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Kim MacConnel

30 Bunny.  2012
Enamel on panel
18 x 18”

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Kim MacConnel

27 Bunny.  2012
Enamel on panel
18 x 18”

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Kim MacConnel

38 Bunny.  2012
Enamel on panel
18 x 18”

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Kim MacConnel

36 Bunny.  2012
Enamel on panel
18 x 18”

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Kim MacConnel

Intermission.  2009
Enamel on 32 panels
Each panel: 35 x 35”, overall: 11’ x 22’

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Kim MacConnel

24 Rabbit.  2012
Enamel on panel
46 x 46”

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Kim MacConnel

7 Rabbit.  2011
Enamel on panel
46 x 46”

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Kim MacConnel

Big Rabbit 4.  2010
Enamel on panel
72 x 72”

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Kim MacConnel

Big Rabbit 3.  2010
Enamel on panel
72 x 72”

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Kim MacConnel

27 Rabbit.  2012
Enamel on panel
46 x 46”

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Kim MacConnel

14 Rabbit.  2011
Enamel on panel
46 x 46”

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Kim MacConnel

 

Rabbit.  2012
Enamel on panel
46 x 46”

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Kim MacConnel

22 Rabbit.  2011
Enamel on panel
46 x 46”

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Kim MacConnel

3 Gerbil.  2012
Enamel on panel
16 x 16”

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Kim MacConnel

8 Dove.  2012
Enamel on panel
36 x 36”

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Kim MacConnel

7 Dove.  2012
Enamel on panel
36 x 36”


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Kim MacConnel

Four Panel Rabbit.  2010
Enamel on panel
Each: 46 x 46”, overall: 92 x 92”


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Kim MacConnel

26 Rabbit.  2012
Enamel on panel
46 x 46”


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Kim MacConnel

11 Rabbit.  2011
Enamel on panel
46 x 46”


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Kim MacConnel

10 Dove.  2012
Enamel on panel
36 x 36”

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Kim MacConnel

12 Dove. 2012
Enamel on panel
36 x 36”

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Press Release

Rosamund Felsen Gallery is pleased to present ABRACADABRA, an exhibition of new works by Kim MacConnel.  This will be MacConnel’s 6th solo exhibition at our gallery.  ABRACADABRA features works of brightly colored, high-gloss enamel on board.  The exhibition is made up of large, multi-part pieces composed of small individual panels, grouped and aligned according to pattern and size.   In addition, the exhibition will include a wide range of smaller paintings.

Through the use of patterning, bright colors, and careful attention to surface and material, Kim MacConnel has consistently referenced non-Western and non-art practices and concerns.  In doing so, MacConnel advocates for an expansion and disruption of the norms of previously sanctified high art orthodoxy, even while using many of its tropes.  

MacConnel's new work emerges from of a loosely defined set of rules that investigate the iterative process of making work under imposed restrictions.  MacConnel begins with a handful of patterns and panel sizes upon which to paint.  From within the finite number of combinations of pattern and size, MacConnel gets to work, hand-painting each pattern, without masking, often working on several pieces simultaneously.  This part of the process is intuitive and without direction.  Once complete, there are no two pieces exactly alike, the works varying in color and character.  From within a limited set of constraints, seemingly innumerable configurations appear.

Kim MacConnel lives and works in Encinitas, California.  Recent one-person exhibitions include Salomon Contemporary in New York, 2012, and Quint Contemporary in La Jolla, 2011.  MacConnel is Professor Emeritus of Art at UC San Diego.